<img src="/img/v1/news/news_2002-04_02_01.gif" alt="DoP Aleksandar Iliæ won the Hawk® Cinematography Award 2002 for his camerawork on the feature film 'Absolute Hundred'" width="334" height="104" border="0"><br><br> <table> <tr> <tr> <td valign="top"><img src="/img/v1/news/news_2002-04_02_02.gif" alt="" width="222" height="199" border="0"><br><img src="/img/v1/news/news_2002-04_02_03.gif" alt="" width="222" height="199" border="0"><br><img src="/img/v1/news/news_2002-04_02_04.gif" alt="" width="222" height="199" border="0"><br></td> <td valign="top"> <p><br><br> For this raw drama in which crime and sport play an important role, the director Srdan Goluboviæ and his DoP Aleksandar Iliæ were inspired by Long East End gangster films. Shots from a music video are juxtaposed with panoramic images of skyscrapers and desolate urban landscapes. <br><br><br> The colours are pale, the cutting rapid and the actors largely inexperienced which helps emphasise the authenticity and cruelty of the Serbian story. Igor, champion marksman, returns broken from the war between Bosnia and Croatia. His younger brother Sasa, also a sport shooter, still regards him as a hero, while Igor is in fact a pathetic junkie.<br><br><br> Today Igor associates shooting with war and so he doesn't touch another rifle. To earn his living, he get involved in drug trafficking. Then he sells their dead parents' shooting range to the ruthless criminal Runda. Finding out about it, his brother Sasa takes the law into his own hands. Goluboviæ: "Absolute Hundred is a marksman's term for top marks in the final round. Ten bullets in the bulls eye. This film stands for absolute victory in sport and absolute justice in a world where justice seems to have disappeared." </p> </td> </tr> </tr> </table>
